I’ve created a tape-like peak compressor Combinator patch in Reason which also produces some lovely odd harmonic saturation.
I am very glad to announce that Melodiefabriek became a member of the Open Music Initiative of Berklee College of Music
The Props announced that version 9.5 of Reason will support VST plugins. What!? Yes indeed! Time for an analysis.
When using drum and percussive loops I will always choose the RX2 format. Here’s why
My 7 year old daughter danced on a Lady Gaga song and asked me to film her. Now 7 years later the copyright owners demanded for a takedown at Vimeo.
Tape like saturation is really easy to simulate with the default devices of Reason and Live.
What loudness norm should we follow for mixing/mastering our music?
“Prison Sky: Mark the 5th anniversary of open-source software engineer Bassel Khartabil’s detention”
Mid/Side processing is a technique many mastering engineers are using because it is so easy and effective. Here’s how to use it in Reason.
As a member of Disquiet Junto I made an audio journal 2016 of 1 minute: 12 months of 5 seconds each, combined with hard transitions.
Many years ago I designed the Vox George Michael patch for Reason’s Factory Sounds ReFill. In respect to George Michael. Here’s that story.