There’s a lot written about the diminished chord and its uses but a lot of it is bullshit in my opinion. So let’s set the record straight.
Author Archive | Marco Raaphorst
Allihoopa is closing down
Allihoopa was an interesting platform for collaboration using mobile apps. But on January 17th, 2019 Allihoopa (allihoopa.com) will be turned off and all the data will be removed.
“You can’t make ACID without a 303!”
Of course you can!
Apple rejected my podcast due to a “copyright issue”
Apple, silly Apple…
Art Of Noise performing Absolute by Scritti Politti
On Facebook in The Art Of Noise Online group a video was posted of Art Of Noise performing Absolute by Scritti Politti. This is no coincidence since Gary Langan was the mixing engineer of Absolute and J. J. Jeczalik did the fantastic Fairlight programming.
Headphones for the win!
Today I listened to the interview with mastering engineer Glenn Schick on The Mastering Show podcast. Nowadays he’s only using headphones for mastering.
12 tones = 2 scales
Let’s play a game. I have 12 cards, with for every unique note one card. So C, C#, D, D# and so on.
Simple mathematics: major key overtones
Our western scale system, based on the major scale (and relative church scales like Dorian, Mixolydian etc), seems to be following the mathematics and physics when pitching tones.
You don’t have to do it like that
You don’t need to master your songs, You don’t need to pan the vocals to the center, You don’t need a lot of bottom end, You don’t need to remove unwanted noise, …
My gig with The Record Man in Paradiso
The last time I played in Paradiso (Amsterdam) was 25 years ago with MAM. But this week I played in Paradiso again with a brand new band: The Record Man.
Parallel chords in Peter Gunn Theme by Emerson, Lake & Palmer
Yesterday a friend of mine asked me about that nasty synth sound Keith Emerson uses on the track Peter Gunn Theme. What’s Keith playing? I’ll show you in Reason …
Psychoacoustics: An Introduction
What we hear is almost by rule different from what is actually sounding, due to the peculiarities and limitations of our hearing. And what we hear can largely differ from what we think we are listening to, due to the many tricks that perception plays on our awareness.