Mixing engineers Tchad Blake and Andrew Scheps did a session at winter NAMM 2020 at the Mix with the Masters booth. A super interesting conversation.
Tag Archives | sound
Back in the day, I was asked by Propellerhead to design patches for Reason. The Props needed many patches for the Factory Sound Bank and one of the most important type of sounds the Props wanted us sound designers to program was what we call Bread & Butter sounds.
Yesterday a friend of mine asked me about that nasty synth sound Keith Emerson uses on the track Peter Gunn Theme. What’s Keith playing? I’ll show you in Reason …
What we hear is almost by rule different from what is actually sounding, due to the peculiarities and limitations of our hearing. And what we hear can largely differ from what we think we are listening to, due to the many tricks that perception plays on our awareness.
Recently I heard about Loop earplugs. Are they any good? I tried them out for a test…
Loudness is nowadays standardised so that almost all music sounds equally loud. Thanks to the Dutchman Eelco Grimm.
The Spider Audio has a rather nasty bug. But there’s a super simple solution to it.
Is the Mäag EQ the most natural sounding EQ ever? I think so.
I always thought that Audiomatic was some kind of Combinator that cannot be unfolded + additional scripting + Impulse Responses for some of its presets. Mmm…
To make a long story short: War is over!
Why limit, compress and EQ the 2-track stereobus while you can fix the whole mix more precisely?
Audiomatic is a device which ships with Reason. It’s full of presets for quickly creating a contrasty sounding mix.