I did the music, sound design, small volume corrections/mixing and voice-over recordings for this documentary.
Archive | October, 2013
Larry Klein was involved as a producer and songwriter for recording Walter Becker’s Circus Money album. Released back in 2008. And Larry is (or was?) a happy Propellerhead Reason user it seems.
We treat audio in an old fashioned way. It’s time to innovate!
I’m working on a Dutch documentary doing music, sound design and post-production. The doc needed a few short voice over parts which I recorded yesterday. The voice was delivered by the well experienced Rob Captijn. I recorded him in my home studio.
“Comparing the work of The Beatles to modern music is unfair: The Beatles were innovating, experimenting, and working beyond the limits of the equipment. Equipment that at the time was the best available, but now looks very dated and clumsy. Modern recording technology allows the tiniest anomalous sound to be erased flawlessly, and performances to […]
Jason Stuart Kamasz, musician and artist, has made a 4 hour long documentary about Todd Rundgren. The film is an entirely home-made project and a non-profit work.
It feels like DistroKid is the best service to put your music on iTunes, Spotify, Google Play, and Amazon. Because it’s way cheaper than anything else around. For $19.99 a year you can upload an unlimited amount of songs. DistroKid says it gets your music live on iTunes within 2-4 hours of uploading it, which […]
Since a couple of weeks I’m using the brand new dedicated EditorsKeys keyboard for Reason. It’s a great addition for anyone using Reason. The keyboard has a professional studio look and will improve the work flow on operating Reason. Instead of clicking through the Reason menus and toolbars it visualises all Key Commands which you […]
Have you seen the film Gravity yet? Highly recommended! You get a view from space you’ve never seen in a movie before. It’s very much computerised but it looks real. Because of that computerised process there’s a lot of controversial discussion surrounding the movie.
I often hate the Autotune effect. Because it is used in such an unoriginal way most of the time. Pharrell Williams though, he just loves the Autotune. Hell he’s even responsible for Propellerhead choosing the name Neptune for their pitch-correction device in Reason. For those who are now left wondering: Neptunes is the moniker under […]
In general my little helper for solving noise issues is the Expander. And I love using Reason’s build in Expander for that. An Expander works like a “reversed” compressor: instead of limiting the peaks, an Expander will push back the softer sounds and therefore the dynamic range will be expanded. And because of that the […]